Art

Claude Perrault's Colonnade, with its ease of rational order, mathematically verified balance masses, static, creating a sense of calm and grandeur, more consistent with the established ideal of the era. Classicism is gradually penetrating the iconic architecture with all the vitality of architectural traditions of the Italian Baroque. But most of all is the problem of architects the ratio of the palace and park ensemble. Left and Louis Andre Le Notre for the first time trying to resolve this issue prospectively in a palace and a park Vaux le Vicomte near Melun. Gain insight and clarity with Tony Parker. In the palace is justly considered the prototype of the principal of creating a second XVP in half. – Versailles Palace and Park.

It was built by Left, and in the latter stages of its construction took part Ardu Mansart. Exterior Building a classicist strict alternation of windows, pilasters, columns, creates a clear, calm rhythm. All this does not exclude the lush decoration, especially in the interior. The interiors of the palace consists of luxuriously suite rooms. Versailles park is a software product, where all affects the will and mind of man. Its creator was Le Notre, sculpture and performed Girardon Kuazevoks. In the second half of classicism in XVP.

there is no sincerity and depth lorrenovskih paintings, high moral ideal Poussin. This is the official line, adapted to the requirements of the court, and above all the king himself, the art of regimented, uniform, painted by a set of rules, what and how to portray what is devoted to special treatise Lebrun. In this framework, and develop the genre of portraiture. This, of course, a formal portrait. In the first half-century portrait of the monumental, majestic and simple in accessories and in the second half of the century, expressing the general trends development of art, the portrait becomes increasingly lush. Since the second half of the century France XVP firmly and permanently occupies a leading position in the artistic life of Europe. But at the end of the reign of Louis XIV in the art, new trends novyecherty, and art in the eighteenth. will evolve in a different direction.

Titles pictures speak for themselves: 'Beggars in Samarkand "(1870),' Opiumoedy ',' Sale of child slaves' (1872), 'dungeon Samarkand', 'The Uzbek woman in Tashkent' (1873) and many others. The artist has a brush easily and has an amazing memory, which allows him to return to previously seen events and transfer them to canvas. The main theme of the artist chooses a military event. His heroes are ordinary Russian soldiers in the pictures shows a brave harsh, the truth of war. A number of works he combines in series: the painting "In the fortress wall. Let the will '(1871) severely and firmly expect to fight Russian soldiers.

Painting 'entered' reflects the same place, but after the fight. In paintings' Look out '(1873), "Surprise Attack" (1871),' Present trophies' (1872), 'triumph' (1872) and 'The Apotheosis of War (1871-1872). Vereshchagin exposes the cruelty of feudal lords, lords savage manners and praises the courage of simple Russian soldiers. Passionate prosecution of war to become his painting 'The Apotheosis of War, in which the background of debris left over from the city and burned trees, stands the pyramid of human skulls. The idea arose from the warrior Tamerlane, who after leaving his victories are the pyramids. But the skull fracture and become a symbol of all wars, and the artist paints on a frame: "Dedicated to all the great conquerors – past, present and future." Such a bold and accusatory criticism is hostility to the reactionary circles of Russia. He is accused of being hostile to the host.

Painter hurt unfair accusations. Yielding to the senses, he burns the painting 'The Forgotten', 'surrounded – persecuted' and 'They went'. The tsarist government did not consider it necessary to acquire paintings Vereshchagin, he forbid to organize exhibitions, the press is not allowed to reproduce his paintings on their pages. Only Pavel Tretyakov bought a large part of the Turkestan works.

In his paintings and panels can be clearly seen, as varied his art. Early works on fabrics and textile collages, which look through application of the logs against the background of the bright spots of color. More recent work of Novikov and textile panels 'Horizons', is much more restrained and succinct. The idea of the horizon, the division of space, preserve the integrity of the picture. All works by Timur Novikov cheerful, otvyazny. They really are! This is not nervous, not simulated, and healthy living and joy. It public opinion on everything without shame. Zagnannost not in a corner, not aggression and indifference, and life as it is.

I am interested in 'Portrait of Timur Novikov with bony hands' (1988), performed by Eugene Kozloff. This pattern is evident at once when entrance to the first room. It stands out from all others. Rather original to see the opening of the lattice of Timur Novikov in evening dress, with her hands from the bones with a known sign of a skull and crossbones. I would also like to highlight the work of Vadim Ovchinnikov, whose work is devoted to the last room. Environmental songs, icons, such as 'window' (1988), very romantic, simple, carry something unearthly, cosmic. Works by artists Ivan Sotnikov not cause I have not bad, not good feelings. All of his work, I would call primitive.

But if you think more seriously, that's good! When not caused by bad feelings! Works of Oleg Kotelnikov ridiculous and I can say a little crazy. Of all his works, I can select a single 'Boogie ee' (1985). Hipsters aroused 'New' great sympathy. Painting for me is very positive. Performed in a harmonious, vibrant colors. Quite simply, schematically, has a certain power and meaning. As for the gallery, paintings nekrorealistov busy, it's not for me. All these manifestations are absurd and only cause disgust. All of the exhibition, it is a challenge to society and protest. The appeal of life in those years. Artists are not considered necessary to depend on the circumstances. All the emotions they had experienced at the pictures in the form of mocking. Pictures may shock, frighten, amuse, surprise. But they are all very peculiar. For me, first of all, I can say that the following: I agree with columnist Agunovich, which compares with the exhibition 'Time Machine'. Yes! for me it's 'Time Machine'. I went to this show and fell like a different world. It is difficult to judge bad is it, this world, or good. But I can say one thing: 'I was in another world to me! "

Everyone knows how much kids love to draw, especially when talking about the age at which they are only beginning to explore the world. None of the happy childhood goes by without a colorful and vibrant paintings, which depict favorite Mom and Dad, brothers and sisters, other relatives and beloved dog or a small fluffy kitten, smiling sun, or a car. Children's drawings not only please the parents, but also provide a large number of by children of the pleasure, because on paper depicting a particular subject, they tell the world about their thoughts and desires. In order for your child to fully develop their creative abilities, he just must be comfortable working place, and the availability of tools that can be useful to him in the drawing process. The list is the first thing to enter a wooden easel for children, which should be in every young artist. Qualitative easel to paint will help your child with great pleasure to represent everything he wants, but also, importantly, doing it in the correct posture that will benefit the state of its health. Everyone knows that children often slouch and hump, trying to take during mental work as a comfortable position.

Now you can not worry about what your offspring from long sedentary work can develop scoliosis, as an easel for the child produced in such a way that allows him to feel comfortable while working, while retaining its posture in a flat position. Of course, that any child easel should be made of the highest quality and non-toxic materials. Easels for painting 'Ecodrevo' produced by the best technologies and not covered with lacquer, which can adversely affect human health, especially children. We take care of your children and their health, because during operation, they should receive only a pleasure. Unlike other companies that sell Chinese easels for painting, covered with toxic paint, we think primarily about health of their customers.