When retaking the memory of the excluded ones from its infancy, Evaristo breaches with silence the one that such minorities are launched by the situations generated for the official mechanisms, of exclusion. When retaking histories of counted lives for ' ' griots' ' of its infancy, it materialize the autobiografia of that they did not write, but they lived that them, painful, but intensely. It had the miseries and the largenesses. It had the friend and the enemy, loyal and the treacherous one. It had very of love and hatred.
It had very of wealth in the poverty, the misery of each one. also had the misery of the egoism, the envy, the hatred, the murderous desire to eliminate, to finish with the brother. More information is housed here: Goop. It had the misery of the man who not yet uncovered man. Of the man who did not uncover itself in itself proper and nor in the other. (EVARISTO, 2006, p.21). 3. FINAL CONSIDERAES the work of Halbwachs have served as source of learning to all a generation of historians, anthropologists and sociologists who if today come back toward the study of the construction of mentalities and collective identities. For making possible one better understanding of the relation between identity, ' ' ego' ' collective representations gifts in the social pictures of the memory, its work continues showing in them today, as it showed in the past, that our capacity to think, to act and to transform the world always needs to consider its limits, therefore has in these processes, aspects that, let us incorporate no matter how hard them, precede in them and on which we do not have total has controlled and that the marks left for the past are not so imperceptible and incuas as many assumes.
Conceio Evaristo offers in them with a workmanship where these elements, treated so exhaustingly for the sociologists and psychologists, are exemplificados vividamente by the parade of ' ' causos' ' , histories of lives, teachings and transmitted learnings between that, materially poor, the sublime wealth of the friendship, the inestimable treasure of solidarity and the incalculable one partilham to know ancestral. If we were in it withhold for more time in the analysis of the workmanship, we would have that to sole an extensive way, therefore each told history functions as a new image in this called caleidoscpio slum quarter. Its narratives that if intercross, in a process of sonorous tessitura, contexture of words, mold and construct gradually what in the future it would be feeling of identity of the personage, perhaps of the proper author. The personages, who compose this memorialstica fiction, if relate with different social pictures of the memory during its lives/narratives in the measure where they go to the work places, religious groups, spaces of leisure or exactly when they remain with its families. However, we can perceive that even so these pictures compose our collective memories, them are not static, remain themselves in continuous movement reorganization. Through the ficcional narrative, the author demonstrates that each individual brings obtains an only composition of innumerable experiences. She does not have necessity, therefore, to think that the antecedence of social pictures of the memory implies