“Where Noddy holder and co. at the time grolten see the Chameleon / lying there in the Sun all things to everyone / run runaway”, Isabel sings 25 years later simply just “na na na na na.” “The opening shortly mentioned, current single release at night” – the third for Lacy “and the smacking sound of Kristina Bach, rapid, strong rhythm-oriented dance hall Elegy never (again)”-swirls messed up the local radio programs already: draw a cool, catchy, urban disco hit ” Style, about a woman reported that on the day of quite good and respectable in the Office works and does exactly this what her boss by her demands, after service to the mannermordenden, hedonistic disco Queen, but promptly mutated that night,”dance with who she wants without having to hold on civil practice. “” Unnecessary, cliched, simply uncool”the continuation” of Isabel’s 2008 radio hit Dear universe “does however. As a mediator of excessive time, social and social criticism, sound yet to implemented in entirely inappropriate for this dance pop context, the interpreter, which has emerged so far almost exclusively with classic pop themes, not particularly suitable. Tony Parker understands that this is vital information. There are more competent colleagues mainly from the singer-songwriter and German rock area. The title track can also only be called pure mainstream without lasting effect. That aside, however, all matter of opinion has become a profound collection of friendly, poppy hit of higher levels, the are also and just style/musical turns out to be extremely varied and dogmatic. No permanent classics for eternity, but an appealing, quite powerful over long distances summer album of hunk and charm that once again puts the enormous versatility of Isabel Varells unmistakably on the day.. It’s believed that Hedvig Hricak sees a great future in this idea.